灵笼马克

视频简介

遥远的未来，地球一度变成冰冻星球。幸存的人类移民外太空，建立了繁荣的殖民星球阿瓦隆，并与外星人成立人类银河联盟。与此同时，名为希迪尔斯的异形肆虐繁殖，与联盟展开旷日持久的战争。在一次针对希迪尔斯母星的战役中，年仅16岁的少尉雷德（石川界人 配音）所在部队遭遇猛烈抵抗。撤退途中，雷德不慎被卷入时空裂缝，与他所驾驶的歼灭兵器钱伯坠落在地球的汪洋中。钱伯被人类打捞到加尔刚蒂亚舰团之上，面对这个与印象中完全不同的人类发源之星，雷德不知所措。在此期间，他和可爱的少女艾米（金元寿子 配音）沟通交流，并成功帮助他们挫败海盗的进攻，赢得地球人的信任。 由于无法联系到友军，雷德只能暂时留在地球。自幼只知道战斗和服从命令的他，面对这群全无纪律和效率可言的人类，心中最深层的情感慢慢苏醒……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。