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以为妹妹是嫉妒给养妹过生日，编造了妈妈出车祸的消息，没有相信她，没有及时给妈妈输血，导致她车祸身亡。。临近毕业，顾言川向富家千金女友黎苏苏求婚，却遭黎苏苏无情拒绝，其中似有隐情。八年后，顾言川已成鸿天集团董事长，黎苏苏却无比落魄，孤身抚养其子黎乐乐。二人在酒吧重逢，一段相爱相杀的孽缘就此展开。直到真相水落石出，二人方重归于好，走向幸福。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。